{"id":1810,"date":"2021-04-03T11:45:41","date_gmt":"2021-04-03T09:45:41","guid":{"rendered":"https:\/\/hondurascroissance.org\/?p=1810"},"modified":"2026-11-04T13:38:51","modified_gmt":"2026-11-04T13:38:51","slug":"the-weepy","status":"publish","type":"post","link":"https:\/\/v2.hondurascroissance.org\/index.php\/en\/2021\/04\/03\/the-weepy\/","title":{"rendered":"The Weepy"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">We continue with our Latin American traditional music series.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this video, guitar students from the \u00ab\u00a0Music for Everyone\u00a0\u00bb school interpret \u201cThe Weepy\u201c, a hit song by Chavela Vargas during the Fifties.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe Weepy\u201c is originally a traditional Mexican song from the late Nineteenth Century, inspired by a folkloric leyend in many Latin American countries. In Honduras, the story character&rsquo;s name was Siguanaba, the ghost of a woman in sorrow near the river during the night.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"La llorona,  Honduras Crecimiento-Honduras Croissance 02 abril 2021\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/PjhIcRD3fLY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>We continue with our Latin American traditional music series. In this video, guitar students from the \u00ab\u00a0Music for Everyone\u00a0\u00bb school interpret \u201cThe Weepy\u201c, a hit song by Chavela Vargas during the Fifties. \u201cThe Weepy\u201c is originally a traditional Mexican song from the late Nineteenth Century, inspired by a folkloric leyend in many Latin American countries&#8230;.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[12],"tags":[],"class_list":["post-1810","post","type-post","status-publish","format-standard","hentry","category-music-for-all"],"_links":{"self":[{"href":"https:\/\/v2.hondurascroissance.org\/index.php\/wp-json\/wp\/v2\/posts\/1810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.hondurascroissance.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.hondurascroissance.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.hondurascroissance.org\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.hondurascroissance.org\/index.php\/wp-json\/wp\/v2\/comments?post=1810"}],"version-history":[{"count":1,"href":"https:\/\/v2.hondurascroissance.org\/index.php\/wp-json\/wp\/v2\/posts\/1810\/revisions"}],"predecessor-version":[{"id":5312,"href":"https:\/\/v2.hondurascroissance.org\/index.php\/wp-json\/wp\/v2\/posts\/1810\/revisions\/5312"}],"wp:attachment":[{"href":"https:\/\/v2.hondurascroissance.org\/index.php\/wp-json\/wp\/v2\/media?parent=1810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.hondurascroissance.org\/index.php\/wp-json\/wp\/v2\/categories?post=1810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.hondurascroissance.org\/index.php\/wp-json\/wp\/v2\/tags?post=1810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}